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Nityananda Gauranga Writing (Lekhana) Yoga
[Nityananda Gauranga Akshara Para Brahma Yoga]
By His Holiness Swami Gaurangapada
Lekhana is the Sanskrit
word for Writing. Akshara means the divine infallible Syllables of the
Nityananda and Gauranga Mantrarajas and the Hare Krishna Mahamantra which are
non-different from and the direct incarnations of the Para Brahma or the
Supreme Absolute Truths Lords Nityananda Gauranga Themselves. The Nityananda
Mantraraja has 5 divine Sanskrit Syllables and Gauranga Mantraraja has 4 divine
Sanskrit Syllables, each of which is non-different from the Supreme Lords
Nityananda Gauranga Themselves. Thus the Syllables of the Nityananda and
Gauranga Mantrarajas are the Akshara Para Brahma Incarnations of Their
Lordships Nityananda Gauranga, which facilitate the conditioned souls of Kali
Yuga to effortlessly and offenselessly connect (in Sanskrit, the word Yoga
means to connect with God) with the Supreme Personalities of Godhead and the
Sources and Origin of everything in creation Their Lordships Nityananda
Gauranga Themselves and thus to chant the pure Hare Krishna Mahamantra.
Therefore this most sublime Yoga is named as Nityananda Gauranga Writing
(Lekhana) Yoga or Nityananda Gauranga Akshara Para Brahma Yoga. The most
simple, easy and powerful process of this extraordinarily miraculous and
merciful Nityananda Gauranga Writing Yoga is described towards the end of this
essay. This Yoga is not something new but is being practiced by thousands of
spiritual aspirants in India from ancient times in order to increase their
total absorption in the Syllables of the Holy Names of the Lord. Nityananda
Gauranga Writing Yoga is strictly an addition and not a replacement to daily
Japa and Kirtana of the Holy Names of the Lord and it greatly enchances the
quality of our daily Japa and Kirtana of the Holy Names.
In the most pure and
authentic Vaishnava Manual Shri Hari-Bhakti-Vilasa compiled by the great
Acharya Shrila Gopala Bhatta Goswami and commented on by the great Maha
Bhagavata Shrila Sanatana Goswami, we find the following description in Chapter
17:
atha japa-bhedah,
tal-lakshanadi ca
"Now, we will
describe the three diverse kinds of Mantra Japa Yoga or chanting on beads and
their characteristics."
narasimhe-
trividho japa-yajnah syat
tasya bhedan nibodhata |
vacikas ca upamsus ca
manasas ca tridha matah |
trayanam japa-yajnanam
sreyan syad uttarottarah ||155||
The Narasimha Purana
states : "The Japa Yajna Yoga or the sacrifice of chanting on softly beads
or fingers is basically of three kinds. The differences in these three kinds of
Japa can be elucidated as follows. The first kind of Mantra Japa is known as
Vachika (loud) Japa Yoga, second is called as Upanshu (murmuring) Japa Yoga and
the third is known as Manasa (mental) Japa Yoga."
yad ucca-nica-svaritaih
spashta-sabdavad-aksharaih |
mantram uccarayed vyaktam
japa-yajnah sa vacikah ||156||
"That Japa Yajna Yoga
(sacrifice and yoga of chanting) which is performed by loudly and openly
chanting the Mantra with clear and distinct pronounciation of the Syllables and
Names in the Mantra and which is accompanied by the loud recitation of Mantra
in a high or low or a melodious svarita tone is known as Vachika Japa
Yoga."
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
ucca-nica-svaritaih
uccena nicena tvaritena va udattanudatta-svarita-samjnaih svarair ity arthah |
svarena yuktaih spashta-sabdavadbhir aksharaih | ata eva vyaktam mantram
uccarayed yat ||156||
"The Japa Yoga which
is accompanied by loud, soft or melodious utterance of the mantra in udatta,
anudatta or svarita notes with a high pitched accent is known as Vacika Japa
Yoga. Since this kind of Japa Yoga is performed by the clear, loud, distinct
(not slurred) pronounciation of the Mantra, therefore Vachika Japa has to be
audibly uttered and thus can be heard clearly."
sanair uccarayen mantram
ishad aushthau pracalayet |
kincic chabdam svayam
vidyad upamsuh sa japah smritah ||157||
"The second kind of
Upamsu (murmuring) Japa Yoga is performed with the slow utterance and
recitation of the Mantra with a little movement or murmuring of one's two lips.
Thus the sound vibration of the Mantra is very low and can be only heard by
oneself."
Digdarshini tika (commentary)
by Shrila Sanatana Goswami:
svayam eva vidyaj janiyat
shrinuyad ity arthah ||157||
"Thus Upanshu Japa
Yoga means that the chanter himself or herself softly recites, hears and
understands the meaning of the Mantra.”
dhiya yad akshara-srenya varnad
varnam padat padam |
sabdartha-cintanabhyasah
sa ukto manaso japah ||158||
"Manasa Japa Yoga or
Mental Japa Yoga means the repeated and intense practice of deep contemplation
and meditation on the meaning of each and every Syllable of the Mantra in one's
heart as one slowly progresses from one syllable or part of the Mantra to
another while chanting it mentally."
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
varnad ekasmat
kramenanya-varnam vyapya | evam padat padam vyapya | ittham sabdasya arthasya
ca yac cintanam anusandhanam tasya abhyasah punah punar avrittih ||158||
"Mental Japa Yoga
means that one meditates with one pointed attention on each Syllable of the
Mantra. When the meaning of one syllable of the Mantra permeates the heart of
the chanter during Mental Japa Yoga, then the chanter should move on to
concentrate on the meaning of the next syllable of the Mantra. Then the mind
should be focused on the divine meaning of a word of the Mantra and then one
should go on to the next word of the Mantra. In this way the constant drilling
and training of the mind and the heart by Mental Japa Yoga to repeatedly
investigate, visualize and realize the transcendental meaning of each word of
the Mantra through the process of deep and profound contemplation, reflection,
and meditation on the Mantra is the most powerful form of Japa Yoga Meditation
or Chanting."
tatra ca yajnavalkyah-
upamsu-japa-yuktasya
tasmac-chata-guno bhavet |
sahasro manasah prokto
yasmad dhyana-samo hi sah ||159||
In the Yajnavalkya
Smriti, it is stated: "Upanshu (murmuring) Japa Yoga as described above is
one hundred times qualitatively more powerful than Vachika (loud) Japa Yoga.
Manasa (mental) Japa Yoga on the other hand is one thousand times more powerful
because Mental Japa Yoga is on the same platform of Meditation."
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
upamsu-japa-yuktasya
japah sata-gunah syad vacikaj japac chata-guno bhaved ity arthah ||159||
"The above statement
that Upanshu Japa Yoga is one hundred times more powerful means that it is one
hundred times more powerful than Vachika Japa Yoga."
mantrarnave-
pasu-bhave sthita mantrah
kevalam varna-rupinah |
saushumnadhvany uccaritah
prabhutvam prapnuvanti hi ||160||
In the Mantrarnava, it is
stated that: "Those who chant the Mantra while simply uttering the
syllables but not meditating on their meaning, are chanting the Mantra in
animalistic consciousness. But the utterance of the Mantra with profound
contemplation on its meaning arising through the sushumna (subtle nerve
channel) which runs from the base of the spine to the crown of the head enables
the chanter to attain mastery and perfection over the art of chanting if the
mercy of the Lord is there.”
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
saushumnye
sushumnakhya-nadi-sambandhini adhvani cchidra-marge uccaritah santah |
prabhutvam samarthyam ||160||
"When someone
performs Japa Yoga with the sound vibration of the Mantra passing through and
arising from the hole of the sushumna nadi (channel), then one becomes a sage
and attains mastery and success in Japa Yoga chanting if one has the mercy of
the Lord."
na dosho manase japye
sarva-dese’pi sarvada |
japa-nishtho
dvija-sreshthah sarva-yajna-phalam labhet ||161||
"There can never be
any fault or defect whatsoever in Manasa or Mental Japa Yoga, and thus it can
be performed in all places, at all times and in all circumstances. O best of
the brahmanas! Thus that most fortunate person, who is staunchly and
irrevocably engaged in Japa Yoga always achieves the sublime fruits of
performing unlimited fire sacrifices at every moment."
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
ata eva manaso japah
paramottama ity aha-na dosha iti | dvija-sreshtha iti tatratya-vipranam
sambodhanam | dvija-sreshtha ity eka-vacananta-patho’pi kvacit ||161||
"Thus Manasa or
Mental Japa Yoga is Paramottama, which means Supermost form of Japa Mantra Yoga
Meditation, since it has no faults of any kind. Dvija-sreshtha is used in a
singular tense in this verse to indicate the best of the brahmanas who engaged
in chanting Japa."
asucir va sucir vapi
gacchams tishthan svapann api |
mantraika-sarano vidvan
manasaiva sadabhyaset ||162||
"Thus one should
incessantly practice the chanting of Mental Japa Yoga whether one is in a clean
or unclean condition, moving or stationary, and sleeping or awake. In this way,
one who takes exclusive shelter of the Mantra in all circumstances is a learned
and self-realised soul."
Digdarshini tika
(commentary) by Shrila Sanatana Goswami:
mantraika-sarana ity
anena purascaranadi-paras tu yathokta-desa-kaladav evabhyased ity abhipretam
||162||
"Thus it is
understood that one should take full shelter of Mantra Japa Yoga, which is
independent of preliminary purificatory rites, the place, time etc."
kim canyatra-
manasah siddhi-kamais tu
pushti-kamair upamsukah |
vaciko maranoccate
prasasto japa iritah ||163||
In another scripture, it
is stated: "If one desires siddhi or the supreme perfection of life, then
one must engage in Mental Japa Yoga. If one desires spiritual and material
prosperity, then one must engage in Upamsu or Murmuring Japa Yoga. And if one
desires perfection at the time of death, then Vachika or Loud Japa is the most
suitable."
Vaishnava Tantre
japat sata gunam punyam
rama nama pralekhane.
In the Vaishnava Tantra
it is stated: "Writing the Mantra with full concentration is one hundred
times more beneficial and powerful than Japa Yoga chanting because pralekhana
(writing) forces the mind to deeply focus on the syllables of the Mantra which
are completely non-different from the Mantri (Lord) Himself and the process of
Mental Japa Meditation automatically takes place by this Writing Yoga."
Commentary by Swami
Gaurangapada:
While writing or
inscribing the syllables of the Mantra, one is forced to perform the deepest
meditation on the form of the syllables of the Mantra, so Writing Yoga forces
the deepest Mental Japa Yoga to automatically take place. This Lekhana
(Writing) Japa Yoga is the topmost. All the Vedic scriptures constantly state
that the syllables of the Nityananda and Gauranga Mantrarajas are non-different
from Their Lordships Shri Shri Nityananda Gauranga Themselves. Also while
writing the Mantra, the chanter is forced to perform concentrated Mental Japa
of the Mantra which as described above is one thousand times more powerful than
Loud Japa. Therefore, Writing Japa Yoga is one hundred thousand times (100 x
1000) more powerful than Vachika Japa Yoga Meditation or Loud Chanting.”
Thus the benefits of
Nityananda Gauranga Writing (Lekhana) Yoga cannot be adequately described.
Besides bringing about purity of the heart and concentration of the mind on the
syllable form of God, Nityananda Gauranga Writing Yoga imparts the chanter with
the power to control one’s senses, increases one’s power of concentration,
memory and endurance and quickly grants one the qualification to see the divine
form of Lord Gauranga-Krishna face to face while chanting. Nityananda Gauranga
Mantraraja Shakti (potency) and its benefits are fully accessible and experienced
by the chanter by the regular practice of Nityananda Gauranga Writing Yoga by
writing at least 20 or 50 or 108 times daily each of the Nityananda and
Gauranga Mantrarajas. Recollection, Absorption, Meditation, Constant
Rememberance and the Supreme Trance (samadhi) are the five progressive levels
of Nityananda Gauranga Writing Yoga.
One simply requires a
finger and some free space or a pen and paper to practice Nityananda Gauranga
Writing Yoga. It is the easiest and sublime Yoga. The procedure is very simple.
Whether one is sitting, relaxing, walking or standing, one has to take one’s
forefinger of the right hand and slowly write the Nityananda and Gauranga
Mantrarajas in Sanskrit anywhere in the empty free space (sky) in front of
oneself while mentally chanting (Mental Japa) and concentrating on the Sanskrit
syllables of the Mantrarajas. If one feels that it is embarrasing to write the
Nityananda and Gauranga Mantrarajas in the space with the forefinger in front
of others, one can do it when one is alone or one can write the Mantrarajas on
a piece of paper. One can write the Hare Krishna Mahamantra in a similar way.
The more bigger one can
write the Nityananda and Gauranga Mantrarajas in the space in front of oneself
or on a piece of paper, the easier it is to mentally focus and concentrate on
form of the syllables of the Nityananda and Gauranga Mantrarajas which are
divine and non-different from Their Lordships Themselves. One can even write on
a piece of paper but if one writes in small size, the form of syllables is not
easy to concentrate on while writing. Thus writing in space is recommended (or
writing in big letters on paper) as one does not require any external
paraphernalia (like ink, pen or paper) and also one can increase the size of
writing the Nityananda and Gauranga Mantrarajas to any proportion in order to
increase one’s concentration on the Mantrarajas. One can write and meditate on
the syllables of the Hare Krishna Mahamantra too in this way. In advanced
stages of Nityananda Gauranga Writing Yoga, one can also simply close one eyes
and deeply meditate on writing the syllables of the Nityananda and Gauranga
Mantrarajas and the Hare Krishna Mahamantra in one's heart itself and thus get
absorbed in the form of the Divine Syllables and Pastimes of the Lords.
In the Varaha Purana, it
is stated:
ashtottara-sataih purva
pancasadbhis tu madhyama |
kanyasi panca-vimsatya
parimanam vidhiyate ||73||
"One round of Mantra
Yoga should be either one hundred and eight (108)times which is the best, or
fifty (50)times which is medium or twenty (20) times which is the lowest."
Thus Nityananda Gauranga
Writing Yoga comprises of slowly writing the Nityananda and Gauranga
Mantrarajas a minimum of twenty (20) or fifty (50) times each daily (if one
hundred and eight times each is not possible) in free space with one’s
forefingers or in a bigger font with a pen on paper with full concentration and
full meditation on the transcendental syllables of the Mantrarajas. Nityananda
Gauranga Writing Yoga enables us to develop a wonderful power of concentration
and subdues the mind thus making us qualified to loudly chant and sing the
Nityananda, Gauranga and Hare Krishna Mahamantra with rapt attention with our
mind and heart focused on the transcendental form of the Lord. The process is
simply: Meditation on the Syllables of the Nityananda and Gauranga Mantrarajas
and the Hare Krishna Mahamantra will very quickly bring us to the advanced
level of Meditation on the transcendental Meanings of the Syllables which is
the Meditation on the Holy Forms, Qualities, Abodes, Associates and Pastimes of
the Lord.
Thus Nityananda Gauranga
Writing Yoga is a nice addition (not be done as a replacement) to the normal
and primary daily Japa and Kirtana chanting practice of the devotees. Kirtana
is the most primary limb of devotion.
Therefore Nityananda Gauranga Writing Yoga is not meant to substitute
the direct Japa and Kirtana chanting of the Nityananda and Gauranga Mantrarajas
and the Hare Krishna Mahamantra but as an useful and very powerful supplement
to enchance the quality of our Kirtana and bring life and realization into our
normal daily chanting. Try for yourself and experience the results! As they say
the proof in the sweet is to eat it rather than simply speculating about it whether
it is sweet or not.
You will instantly
experience the Akshara Para Brahma Bhagavana Lord Gauranga-Krishna i.e. the
Lord Who is non-different from the form of the very Syllables of His Holy
Names, through this sublime and easy process of Nityananda Gauranga Writing
Yoga. Therefore Nityananda Gauranga Writing Yoga is also called as Nityananda
Gauranga Akshara Para-Brahma Yoga. The transition from Syllable Meditation to
Form and Pastime Meditation is so easily and rapidly accomplished by this Yoga.
By practicing Nityananda Gauranga Writing Yoga, it is guaranteed that one will
quickly progress to the advanced stages of Mantra Japa Meditation Yoga very
soon which is to directly realize the transcendental Form and Pastimes of the
Lord while chanting the the Nityananda and Gauranga Mantrarajas and the Hare
Krishna Mahamantra - Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare
Rama Hare Rama Rama Rama Hare Hare.
We wish all of you all
success in communion with the Syllable Incarnations of God and we hope you will
try it out even for one day