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Introduction
The Upanishads have been perennial sources of spiritual knowledge.
The word upanishhad means secret and sacred knowledge. This word occurs in the
Upanishads themselves in more than a dozen places in this sense. The word also
means "Texts incorporating such knowledge." There are ten principal
Upanishads. Other than these, a few more like Shvetaashwatara and KaushiTaki
are also considered important. Though it is known that even before Shri
Shankara, commentaries were written on the Upanishads, these have been lost.
Shri Shankara's commentaries on the principal Upanishads are the earliest
available. Shri Ramanuja has not written any commentaries on them, but a later
disciple Shri Rangaramanuja has written them. Shri Madhvacharya has written
commentaries (bhaashya-s) on the ten principal Upanishads. Interpretation of
passages from these and other Upanishads is also discussed by him in his
Suutra-Bhaashya, which is mainly about the interpretation of Shruti texts and
also in his other major works like Anu-vyaakhyaana, Vishnu-tatva-vinirNaya, and
Tattvodyota.
Place of Upanishads in Vedanta
Modern thinkers generally hold that the earliest literature of
India is the Vedas, of which Rg Veda was the first to be composed. These were
hymns in praise of nature gods, which emphasised ritualism and had little
philosophic content. Some have even attempted statistical analysis of the
number of times individual god names were taken up for praise and concluded
that Vishnu , later extolled as the Supreme God, has fewer hymns than the more
common Indra, Agni and Varuna. Subsequent compositions called braahmaNa-s and
araNyaka-s both in verse and prose contain attempts in explaining philosophical
and cosmological questions. Upanishads were composed next in order and contain
the highest flights of philosophical speculation in Vedantic thought. While
perhaps it is comforting to reduce the entire source material of Vedanta
philosophy into a well ordered scheme which the modern mind can easily
understand, there are serious discrepancies in this theory. Vedantins who
profess the Vedic streams of all hues have traditionally believed that the
Vedas and Vedanta literature is apaurushheya, not composed by anyone (including
God) and hence beginningless and eternal. Even the name used for the Vedas for
thousands of years of human memory -- Shruti indicates this fact, which is also
justified by rigorous logic. Far from being a collection of disjointed hymns,
which the Vedas are made out to be by people ignorant of them, there is in them
a thread of unity of thought, in describing a Supreme Being, who is different
and who is the inner controller of all other beings , including the so called
nature gods. The artificial division of the mass of Vedic literature into karma
kaaNDa (dealing with rituals) and j~nAna kANDa dealing with Philosophy is
untenable, in the context of the three fold interpretation of the Vedas,
explained for the first time by Shri Madhva, in his Rgbhashya.
According to Madhva, the Brahma Suutra's OM gatisAmAnyAt.h OM
clearly indicates the decided position of its author, Veda Vyaasa, that all the
Vedas, believed to be infinite in extent, have eka-vaakyata unity in stating
the conclusion. Be as that as may, the ten principal Upanishads contain the
essence of the philsophical teaching of the entire Vedic religion. The Brahma
Suutra, composed by Veda Vyaasa, accepted as the authority for the correct
interpretation of the Vedas refers to a number of well known Upanishadic texts
and gives clues regarding their correct and consistent interpretation. All the
different founders of Vedanta schools have started from the basic position of
the infallibility of the Vedas, Upanishads and the Brahma Suutra and have tried
to justify the claims that their own conclusions are in accordance with them.
Central Theme of the Upanishads
Shri Shankaracharya and some of his modern followers take Monism
or Atmaikya, and Absolutism or nirguNa-brahmavaada to be the central theme of
Upanishads. Consequently, Idealism or the world being merely a projection, which
is unreal, is also taken to be a tenet of the Upanishads. Thus upaasanaa
(worship) and bhakti (devotion) are relegated to a secondary position, being
needed only up to a point in the spiritual evolution of the soul. Liberation,
the final goal of spiritual development becomes less attractive, as the seeker
loses his own identity in his merger with the Absolute. The entire process of
Creation delineated with such great care in the Upanishads is reduced to a mere
illusion. Texts describing Brahman, the Supreme Being, as sarvaj~na (all
knowing), sarva-shaktimaan (All Powerful) are also relegated to be descriptions
of Ishwara or the Saguna Brahman, who is also a product of the universal
Avidya, while Brahman is actually nirguNa or without any attributes in absolute
reality. Some of the richest material in the Upanishads delineating the glory
of God, the process of creation, prescribing different methods of upaasanaa,
Eschatology, recommending meditation, devotion etc. have to be relegated to a
secondary position, as they are essentially dealing with the machinations of
the unreal Avidya, which vanishes into "nothing," when the soul is
liberated and discovers its identity with the formless and attributeless
Brahman. In other words, much of Upanishadic texts are worthless and untrue in
the domain of the final reality. On the other hand, a few passages are elevated
to decisive importance, as they can be interpreted, in a limited sense, to
convey Monism. Anyone who has an acquaintance with the deep and mystical atmosphere
conjured up by the Upanishads can not accept this position. The central theme
of the Upanishads is not Monism but Monotheism, the concept of an all
pervasive, immanent supreme being. He is not nirguNa (attributeless), but is
guNaparipuurNa -- full of all possible auspicious qualities. The very word
brahma indicates this basic delineation of the Supreme Lord. Such a theme
brings all the rest of the passages in the Upanishads into proper focus and
makes them fully meaningful and essential for the aspirant. All of them will
contribute in one way or the other to the development of this central theme and
none of them will look secondary or suprefluous. In the larger context of the
Vedanta, as a whole, the Vedas, Brahmana-s, Aranyakas, Upanishads and the great
Epics which include the other Prasthaana texts -- Bhagavad Gita and the Brahma
Suutra are woven into a glorious tapestry of the indescribable but realizable,
fathomless but understandable glory of the Supreme Person, who has been
extolled by great devotees in all Bhakti compositions. The artificial concept
of two Brahmans, Saguna and Nirguna simultaneously existing, though totally
different in essence, created by Monism to explain away the wealth of texts
describing the glory of the Lord is done away with, with a simple explanation
of nirguNa being One who completely transcends the three guNa-s -- sattva,
rajas and tamas constituting prak.rti, which is responsible for the world as we
know it.
Canons of Interpretation
It is not very difficult to decide between guNaparipuurNa and
nirguNa Brahman being accepted as the purport of the Upanishads. There are
well-known canons of interpretations, priority and preference laid down for the
purpose, which are accepted as valid by all schools. These are:
1. upakrama,
upasamhaara, etc. -- 6 determinatives of purport.
2. Shruti, Linga, etc.
-- 6 aids for fixing the meanings.
3. saavakaasha and
niravakaasha position of Shruti-s.
4. upajiivya and
upajiivaka position of pramaaNa-s, to accord preference.
However, the Niravakaashatva and Upajiivyatva criteria are not
strictly followed in the Advaita tradition, leading to undue priority being
accorded therein to Monistic-looking texts or passages, and the relegating of
others to secondary positions. This has led to another criteria being evolved
by the Advaita school, viz., tatvaavedaka and atatvaavedaka. These are defined
as passages which expound the final truth or a tentative position, which is
shown to be incorrect after due examination. Such a basis would have to be primarily
arbitrary, as it seperates the innately valid Shruti-s into two groups
depending on whether they appear to support Advaita or otherwise. There is
nothing available in the Shruti-s themselves to determine this, and to decide
on the classification on the basis of the purport of the Shrutis, which is yet
to be determined is admittedly invalid. Another basis relied upon by Advaita,
to relegate a group of Shruti-s to a secondary position is that they are
anuvaadaka. Any Shruti text which appears to speak of something that can be
known from some other valid means such as pratyaksha (direct cognition) is
given this handicap and considered as inferior in value to one, which can be
known only by Shruti pramANa. In fact, this is the exact opposite of even the
modern concept of evidence, which considers corroboration as a factor which
strengthens the evidentiary value, particularly when each source has
independently concluded the same. In view of these adverse features, these
criteria peculiar to Advaita are not accepted by other commentators.
Shri Madhva has shown in his compositions, especially in his
Brahma Suutra Bhaashya, Anu-vyaakhyaana and other Suutra-prasthaana
compositions that application of these principals de novo, without any bias, to
the Upanishads yields only a guNaparipUrNa Brahman and not the attributeless
nirguNa Brahman of Advaita.